He then started kissing me again and encircled my waist line with his hand. Now he was pressing ass cheek of mine. He than slowly shifted us towards a bed that was not in a very good condition, though at that time it could not be realised, how bad that bed was, a very filthy one. He laid down with me on that bed and started fingering me. This was for the first time that anything was entering me. I was shivered as if I was caught with cold. He was now vibrating his finger into me. I shouted, he dragged his hand and asked me not to make noise otherwise someone will come close there. I never laid naked even if I was alone, so the wind was giving a different tender feeling on my body and I was thinking that what I gifted this boy, very precious one, my body along with my soul. We both were committed to marry. As both of us was not aware of foreplay like things and already very hot for the moment that the boy rode upon me and inserted his penis into pussy. It however taken few. The two stories are inverse images of each other: the cop and the deputy meet out in the scrub over a dismembered corpse, and as the investigation plays out, they keep meeting in depersonalizing and demeaning places: morgues, jails, courthouses, industrial parks. The victim and her assailant are shown to have met at positive, life affirming events: weddings, human potential seminars, birthday parties, celebrations. The happy people meeting up in the happy places have everything going for them, and wind up unhappy and dead. The survivors meeting in the desolate places end up happy and together. Mike Figgis might be able to pull it off. In lesser hands, it was too symmetric for anyone except a film school student to enjoy.I wrote the musical theme for the piece. Theme and variations. The cop's theme. The deputy's theme. Variations on a basic theme. I mirrored the film school symmetry: I inverted the theme for the assailant and his victim. It worked beautifully. A work for hire, sold to.
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